hyperbibliophobia: In the silence of words

Friday, June 4, 2010

In the silence of words

In the silence of words
by Joey Clutario

Lady picks up an old photograph
of her late husband. It was not dusty, but shiny
Though the colors may not be the same, not as bright
or as happy because it’s not a mirror but a casket:

Deep breath
Pressurized breathing, shaking
…
Sigh
… slit of the mouth slightly opens
… then closed again, hard painful gulping
pressurized deep breath. Release.

“I picked up daisies today. You should’ve seen me…”

Deep breath
Pressurized breathing, shaking
…
Sigh
… slit of the mouth slightly opens
… then closed again, hard painful gulping

blank endless staring

***
When a poem comes in guise of words
It strikes
as lightning cannot touch the same ground
so are the words:

“It plunges deep into the heart-- rushes into the tense, arrested muscle

and is gone.”

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They who must be named...

Denise Levertov (October 24, 1923–December 20, 1997) was a British-born American poet.

Born in Ilford, Essex, England, her mother, Beatrice Spooner-Jones Levertoff, was Welsh. Her father, Paul Levertoff, immigrated to England from Germany, was a Russian Hassidic Safardic Jew who became an Anglican priest. While being educated at home, Levertov showed an enthusiasm for writing from an early age. When she was five years old, she said later in life, she declared she would be a writer. At the age of 12, she sent some of her poems to T. S. Eliot, who replied with a two-page letter of encouragement. In 1940, when she was 17, Levertov published her first poem.

During the Blitz, Levertov served in London as a civilian nurse. Her first book, The Double Image, was published six years later. In 1947 she married American writer Mitchell Goodman and moved with him to the United States in the following year. Although Levertov and Goodman would eventually divorce, they had a son, Nikolai, and lived mainly in New York City, summering in Maine. In 1955, she became a naturalized American citizen.

Levertov's first two books had concentrated on traditional forms and language. But as she accepted the U.S. as her new home, she became more and more fascinated with the American idiom. She began to come under the influence of the Black Mountain poets and most importantly William Carlos Williams. Her first American book of poetry, Here and Now, shows the beginnings of this transition and transformation. Her poem “With Eyes at the Back of Our Heads” established her reputation.

During the 1960s and 70s, Levertov became much more politically active in her life and work. As poetry editor for The Nation, she was able to support and publish the work of feminist and other leftist activist poets. The Vietnam War was an especially important focus of her poetry, which often tried to weave together the personal and political, as in her poem "The Sorrow Dance," which speaks of her sister's death. Also in response to the Vietnam War, Levertov joined the War Resister’s League.

Much of the latter part of Levertov’s life was spent in education. After moving to Massachusetts, Levertov taught at Brandeis University, MIT and Tufts University. On the West Coast, she had a part-time teaching stint at the University of Washington and for 11 years (1982-1993) held a full professorship at Stanford University. In 1984 she received a Litt. D. from Bates College. After retiring from teaching, she traveled for a year doing poetry readings in the U.S. and England.

In 1997, Denise Levertov died at the age of 74 from complications due to lymphoma. She was buried at Lake View Cemetery in Seattle, Washington.

Credits to www.poemhunter.com

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Friday, June 4, 2010

In the silence of words

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